Some new images and information about the presentation of the new history and the award of Kavacano. Initially you will see below some images about the exhibition of Corto Maltese parody. We also have drawings/character sketches of the story while in the picture there is a poster the cover of the story we see some panel images of Corto's original history and next to the frame in the Disney parody.

Still in the next two images we have the alternative cover as a poster (beautiful is!!!) with some pages of parody that are originally sketched, then bruised and finally colored. Of course, information is given about the creators.

Personally, I should like to say that I was only impressed with the report. Very beautiful and also shows part of Hugo Pratt's work in connection with the creation of Cavatsano and Bruno Enna. I am very jealous of these reports and I believe that history was worth it.

The story was presented on 2 March at WOW Comics Space (Comics Museum) in Milan. Let us say a few words now about the award of the great creator at the Cartoomics event for his 50 years of contribution to the Disney comic books. According to Badcomics.it, Kavacano at the event thanked the public for his dedication by saying it is an incentive to continue doing his job well. He also said he was feeling very lucky, as he had not imagined that all of this would happen at the beginning of his inker career for Romano Scarpa and has worked with creators who helped develop the Disney universe. Some of them are: Chimini, Slavery, Casty, Farachi...

And, of course, Bruna Enna, the screenwriter of Corto Maltese's new parody. Kavacano said:

The best story I've planned in these 50 years, a chisel that keeps the balance between Pratt's spirit and Disney.

It was said that Kavacano enjoyed Goofy's role in the new story, a role important to the plot and bond between various characters.

Ducks are easy, Mickey is strict and difficult. And for that, he's wonderful!

Finally he talked about various points of his 50-year career, recalled his relationship with Romano Scarpa, with which their paths crossed by chance and Rodolfo Chimino (who left in 2012 and last The history, The silver ship We read it in Mickey Mouse #103 of Season II), whose scripts were crucial to understand how to manage the footage in a story.

Without Chimino, I wouldn't know how to make a comic page.