The Revolution of the Narrative Frameworks (30 pages)
- Project: Castie
Just great cover. Mickey Mouse name and stuff 🙂 Makes you want to read the story 10/10
THE Mickey and Goofy They're trying to stop an angry cluster of narrative frameworks that I chased after them.
Not long ago I got some issue of Mickey Mouse that I could read the main one-ruff story to say I was looking forward to the issue since we had seen the story in the September calendar. The plan is great, and it's this nice thing that Casty's used to. Now after all his stories one sees his own Goofy, Mickey and Pete. And he immediately realizes it's him. I mean, he's got his own touches and he's gone from Scarpa's shadow, The script I found innovative. Something different and surreal.
Of course, in the last section, Fatsini's breaking. Yeah, but this is where Castie showed us something he's not used to, and he did it nicely. The jokes were successful and some panels can be used as imitations. He's talking about comic books, but I also liked that in some frame, the characters say the clichés that have some comic stories or that happened several times before. It even satirizes the number of pages it usually has and its relatively large stories Topolino I loved it. Is that one of Castie's best stories? Certainly not because he has set the bar too high and that's good! Is that one of his very good stories? I'd say yes.
I still don't forget to say that the work of the graphic artist must be congratulated here. That story must have blown it off. I liked the way he had the «Mickey Mouse» in the title but gave change to the big summary. Good for him. The other stories I haven't read yet but even since reading the first one, I feel like my money's working. 🙂
1 Comment
Themistoklis Eleftheriadis
2 October 2019Στον τρόπο που βαθμολογώ εγώ, έχω εκτός σκίτσου και σεναρίου και την πρωτοτυπία! Κάποιος που έχει διαβάσει 30.000 ιστορίες, οφείλει να επιβραβεύει αυτές που δεν ακολουθούν την πεπατημένη. 10 λοιπόν για πρωτοτυπία, 10 για σενάριο, 9 για το σκίτσο και 10 στο σύνολο (δίνω έξτρα πόντο).
Η αναφορά στις όμορφες ξανθιές που τσιρίζουν δεν έχει να κάνει με την Ντίσνεϋ, αλλά με τα Αμερικάνικα κόμικς, πχ Σπάϊντερμαν, Σούπερμαν κλπ. Ο Κάστυ καλύπτει ένα κενό σ’ αυτόν τον τομέα, καθώς τα κόμικς Ντίσνεϋ έχουν έναν ρατσισμό έως “Χιτλερισμό” θα έλεγα εναντίον των ωραίων κοριτσιών! Ρατσιστική επίθεση δέχεται και η οικογένεια, αφού κανένας ήρωας δεν έχει παιδιά, αλλά όλοι έχουν ανήψια, και μεγαλώνουν τα παιδιά άλλων! Θεωρούν δηλαδή ότι το να έχεις παιδιά θα έκανε τα παιδιά να σκέφτονται το σεξ και καλά, και θα κατέστρεφε τον χαρακτήρα τους! Λες και τα παιδιά δεν έχουν γονείς ξέρω γω!..
Πριν τον Κάστυ ο μόνος που έσπασε τον ρατσισμό κατά των γυναικών ήταν ο Καβατσάνο, με την Μάρβελ Ντακ (σενάριο Μαρτίνα) και την Ελίζα/Ρετζινέλα (σενάριο Τσιμίνο). Όταν σταμάτησαν τα πάρτυ στα Μάταλα, σταμάτησε κι ο Καβατσάνο να βάζει κεντρικές ηρωΐδες γυναίκες (δεν είναι τυχαίο)!..