COMIX #17 with a main story designed by Castie's pen, with a beautiful cover! (Of course, he sort of went out with Photoshop, and we have the recurring image outside the frame 😛 ) The seventeenth COMIX has total, along with single-pages, three stories. Let's go see them once.

The first story has 68 pages, divided into two parts, with Mickey and his company from Fatsini and Casty.

Summary:
Mickey is facing himself... and, in fact, seven copies! A rival from the past returns harsher and more dangerous than ever, to an exciting thriller full of twists and lots of laughter!

It is a 68-page story, the first part of which has 23 pages and is designed by Enrico Fatsini (not Andrea who incorrectly says the magazine in Contents...) and the second has 45 pages and is beautifully designed by Casty! Fatsini's plan doesn't drive me crazy, and it's lucky it's only for a third of the story. The first part of the story was for Mickey's birthday, and his end is the real beginning of the story. Of course, in various places we see things that will be explained to us later, and with which we will understand history.

Figure (115)

But the second part is much more dynamic both in the beginning and in the end! Castie's plan was really great. At some points he reminded me of Floyd Gottfredson. (Specially in the frame with the lion.) I'll tell Castie again, Because not only does he know how to handle Mickey himself, but also his story extremely. We see a very old enemy in history at times Floyd Gottfredson (to be emphasized) And Castie used him very smart. Of course, the only negative thing about history is that it is more predictable from the previous ones, which we have read, and because of this, but also because of Fachini's plan, I thought I'd put 8.5. But after all, I'm not gonna sting 0.5, So 9/10. One of the very good stories of the creator. I hope Castie keeps making these stories with Mickey for many years to come.

Recently in Komix Wiki completed the list with all his stories.

The second story is "The lone fisherman"Vicar.

Summary:

Donald is about to take part in an ice fishing competition, believing he has anticipated everything! But his misfortune and exaggeration cause him "explosions" The rest of you.

Vicar's design here is beautiful and generally beautifully designed by a large frame. Of course, I can't say the same about the script, which I didn't find special, and it's just a ten-page page, which you'll easily forget. I'm a little lenient, and I'll put one on. 6,5–7/10. 

The third story is the "Who stole Van Quak? " Marco Rota.

Summary:
Scrooge is donating to a painting in Amsterdam a painting he had stashed in his warehouse. The theft of the painting leads to a beautiful adventure.

I have mixed feelings about the plan for this story. Some Rota frame is not so well designed and others are relatively good. One of Rota's weakest in terms of design, while the script was relatively good. It wasn't a big deal, but it was much better than Vicar's previous story, so we're gonna put the 7/10.

This COMIX in its structure It looks a lot like COMIX 1 and COMIX 11, which is very positive. That's because it doesn't tire at all, and we have a charming story near 70 pages and two tens. For me, this structure must have a lot to do with COMIX. The many small stories, along with the worthless single-pages get tired and let's hope we never see them again. We'll put one in total. 8,5/10Even though the two tens of pages were of no interest. The main story is that which is worth the issue, and I find it somewhat unfair to reduce the issue much, because 7/9 (without advertising etc) of the issue is the main story.

In the next COMIX we will finally see (finally) as a main 24-page Christmas story, the "Letter to Santa Claus. It's a story that we've been waiting for years to enter the COMIX and finally enters this year, in the year 2015. It is released on Tuesday, December 22nd. For the rest of the stories of the issue we know from Kathimerini's reply that they will all be Carl Barks' Christmas stories (and they will probably be as unpublished as they are). Hence the "Christmas with Carl Barks", that they have in advertising in content. It should be pointed out that the cover of COMIX 18 (which I will describe as wonderful) is an oil painting by Barks and specifically it is about "Gifts for Shacktown" 1975. (More oil paintings at that time) Here..)

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